You might know me as “MNR” depending on when and where we’ve met. MNR is short for “Mark Niemann-Ross.” This drives the IT folks crazy when I ask for a corporate email address like “mnr@somewhere.com.” They prefer mniemannross@somewhere.com, but seriously, who can remember how to spell that?
My latest written work is a contribution to Crooked V.2 – “Do-Ye0n Performs a Cost-Benefit Analysis on a Career Based on Questionable Activities.” I’ve released “Stupid Machine” – A (science fiction) murder mystery solved by a refrigerator. I’m currently prepping to write “Vicious Machine – A murder mystery caused by a refrigerator.”
From Planning to Published
When did you start writing and why?
Author: I’ve always scratched out stories. My mom was an interrupted journalist but continued to write stories for friends and family. She mourned her missed opportunity to write full time. I’d like to think I’m fulfilling her dream?
How long did it take you to finish your first book?
Author: Way too long but just long enough. I rewrote Stupid Machine three times and threw out more words than the length of the final book. It was a cheap way to learn to write – cheaper than an MFA. There’s no better way to learn about writing than to crash your way through it.
I’ve stopped worrying about how long it takes finish a project. The finished idea only comes around as fast as it can – I need to be patient.
Has your publishing timeframe improved at all since your first publication?
Author: Nope. It won’t. I’ll finish it when it’s ready.
Are you indie, traditional, hybrid, or vanity, and why?
Author: My short stories have appeared in Analog Magazine of Science Fiction and Fact, so in that way I’m traditionally published. Stupid Machine is self-published and I’m happy with that. I’m open to working with an agent/publisher, but until that happens, I’ll proceed with confidence.
How did you determine your target audience?
Author: I didn’t. I wrote what I know. The audience will have to sort themselves out. I’ve found two demographics reading Stupid Machine: coders and murder fans. Sometimes they’re the same. I understand coders. Maybe someday I’ll understand murder fans better.
What is your publishing process?
Author: Write the damn story. Publish the damn story.
What platforms do you use to publish your works?
Author: I’m published at Amazon in both print and kindle. I’ve been pleased with Smashwords for everywhere else. The amount of time I have to fool around with publishing services is growing thin, so I watch numbers and economize. There’s lots of ways to get a book published; I assume if someone really wants to read what I write, they’ll find a way to buy the story.
How do you get critiques, betas, feedback, and edits?
Author: I have a group of trusted readers. It’s difficult to get good critiques, especially since I’m working somewhere between technology and fiction. I cherish the folks who are able to bridge those two disciplines.
Marketing
What is your launch plan for your works?
Author: Start with the low-hanging fruit and work outwards. Friends and family, then industry associates, then recognized experts, then general public. My time is limited, so I select activities I can support, complete those activities, then move on to the next. It’s really easy to lose focus with all of the companies who want to offer marketing opportunities.
How do you get reviews for your books?
Author: I pester readers until they submit to my will.
How do you promote your content?
Author: My next story is the best promotion for my current story. It’s endless. It’s tiring. I wish there was a magic formula. Sometimes people get lucky and famous.
What do you think is the most critical marketing component or tactic for becoming successful?
Author: Be famous, then your books will sell. Success is a subjective pursuit.
How do you define success as an author?
Author: If I learned something from the creation of a book, then I’m successful. I have the luxury of having an income from other sources, so the financial return on a book isn’t the primary indicator.
About Your Work
What type of content do you write and why? Fiction Novels? Poems? Songs? Screenplays? Short Stories? Epic?
Author: Yep…I write Science Fiction.
What genres and subgenres do you write in?
Author: Sub Genre: Hard. Sub-Sub Genre: Technology-gone-wrong.
I teach programming languages and small computers (Raspberry Pi) so I constantly trip over bugs and unintended machine behaviors. Those are no big deal until we trust our well-being to predictable technology.
I worry about what happens in the unplanned gaps between technologies. One company tests lawn mowers to make sure they’re safe. Another tests to make sure microwaves are safe. But what happens if you plug a lawn mower into a microwave? Nobody tested that.
What could possibly go wrong?
If you think that sounds just stupid, you ought to educate yourself on what’s going on inside your car at 65 miles per hour.
What is your author brand (genre, mood, image, theme, message, etc)? How did you decide on it?
Author: Just me. I teach technology. I write about technology. I write fiction about technology. It’s all related to the singular me.
How many works have you published?
Author: Lots of shorts. One long.
Can you tell us a bit about your most recent publication?
Author: Sure. “Do-Ye0n Performs a Cost-Benefit Analysis on a Career Based on Questionable Activities” is part of Crooked V.2. It’s a background exploration of Do-Ye0n, an inept fuck-up. Everyone assumes criminals are masterminds. If they ARE masterminds, they fix the system so they aren’t criminals. At least, that’s what happens today. Criminals are the folks just short of manipulating society to believe they are doing the right thing. Do-Ye0n just doesn’t work hard enough. So he continues to fall off the edge of competency.
This is important to my writing. Masterminds are a fiction. Everyone is just trying to get it right. Criminals don’t aspire to be criminal – they aspire to survive and maybe a bit more.
Name some common elements in your writing: villains, magic, red-herring twists, the unfortunate ensign, mysterious phenomena, asyndeton, sentence fragments etc.
Author: A common element? The gap between technologies. Quality assurance does their best to make things work right, but there’s always an edge case between THIS thing and THAT thing.
What was your first goal when you started your journey to becoming an author? Has that changed?
Author: Someone needed to write this thing. I’m the only person (I know of) with this combination of skills. So I was chosen to write it. I wish I had a better grasp of the medium, but I am what I am.
What do you want your readers to get out of your works?
Author: Enjoy the story. Oh please…enjoy what I write.
What part of the author process are you working on or studying most now?
Author: Stop using cliches. Use semi-colons, colons, dashes, and em-dashes correctly. Learn more about the stupid english language.
Seriously – programming languages are so much easier than english. Punctuation is predictable, spelling is absolute, the syntax makes sense. That leaves me to fixing bugs – but that’s just logical errors. Why can’t english be that simple?
What has been your favorite part of the writing and querying or publishing process?
Author: I love when characters reveal themselves. I know they are fictional, but they develop personalities. That’s also somewhat of a pain in the ass – some characters decided they didn’t want to cooperate with the overall story when it was too late to write them out. So I need to accommodate their needs. What a bunch of complainers.
Which authors write similar books to yours? How did you find them?
Author: I admire Andy Weir. He works hard to make sure his stories exist within the bounds of physics.
Have you always read in the genre you wanted to write in? Do you think that’s made it easier or harder to create new stories?
Author: Oh gawd no. Read outside your genre. I’m fortunate to be married to someone who doesn’t like science fiction. As a result, I watch all sorts of movies and read books I would never have considered otherwise.
What is your writing process, from idea to polished work? Pantster? Plotter? How long does that typically take you?
Author: I scratch out an idea, then write, then fix the outline, then write, then plot. Characters tell me things about the story I didn’t know when I started. Pantser vs Plotter is an unnecessary bifurcation. Writing is an interactive process. You suggest a situation, then ask the characters what they are going to do. Sometimes they tell you the situation is wrong and you have to start over.
Where do you network most with other writers, authors, and creative types? LinkedIn? Wattpad? Twitter? Facebook? Somewhere else?
Author: Face to face. Beers. Social media is a cesspool.
Do you sprint-write like a starving cheetah, or are you a totally chill turtle writer? Somewhere in between?
Author: I write when the story demands to be written. There’s lots of gaps in my writing while the story sorts itself out. I write as fast as I can, but I’m not in control.
Struggles
What has been the hardest thing to overcome on your journey to authorship?
Author: Interesting question, but this really doesn’t apply to my writing. I’m an author because I write. Stories need to be written. I’ve expressed an interest in writing them, so they show up at my doorstep.
A journey has a beginning and an end. The stories I write never really started – they always were waiting for me to get my shit together. They never end – they just pause until the next chapter starts. I’m kind of just an innocent bystander with a keyboard.
How has the writing and querying or publishing process affected you emotionally? Do you have any tips for budding writers?
Author: I hate killing off characters. I spend so much time learning about them, then they die. Dammit. But that’s the deal. If you’re going to write, you need to be emotional about these fictional characters. It doesn’t get any easier, but it does prepare you for when “real” people die.
Do you have any tips or recommendations for those who want to go the final step and become authors?
Author: Nobody “becomes” an author. You are, or you are not. There isn’t a merit badge you can earn. You can only write. Even if nobody publishes your writing, if you’re writing, you’re an author. That’s a relationship between you and the story.
Fun Stuff
What do you listen to while you write?
Author: coffee shop music and chatter. I can’t write without background noise.
What book are you reading at the moment?
Author: 1Q84. Before that, A Gentleman in Moscow.
What is your favorite literary trope?
Author: Chekhov’s gun.
I splatter news everywhere, but the most current is my website at http://niemannross.com
Hi, I’m Palmer Pickering! I write science fiction and just released “Light Fighters,” the sequel to “Moon Deeds” of the “Star Children Saga.”
From Planning to Published
How long did it take you to finish your first book?
Author: I have been working on the Star Children Saga for over ten years. I rewrote Book One, “Moon Deeds,” several times over the years.
Are you indie, traditional, hybrid, or vanity, and why?
Author: I am self-published and have my own Indie Publishing imprint, Mythology Press.
What is your publishing process?
Author: I work with several editors, from developmental editing, to copy editors, to multiple proofreaders. I found that with books of this length and complexity, it’s best to do multiple editing passes. Then I hire a desktop publisher to do the book layout. I hire artists for the cover art and other art, such as maps. I really like working with so many interesting professionals. That’s part of what makes self-publishing so much fun.
What platforms do you use to publish your works?
Author: I use print-on-demand for printing, with both IngramSpark and Amazon. That way I can offer my books to any bookstore or library, or small book seller. For ebooks I use the same two services, and they distribute to all book reader companies. I have an audiobook for “Moon Deeds,” and I use Findaway Voices, who handles a wide distribution to many different audiobook outlets.
How do you get critiques, betas, feedback, and edits?
Author: During early drafts, I participated in writer critique groups, where we exchanged chapters and offered each other feedback. That was a great learning process, and I made some good friends doing that. At a certain point, that process became too slow for me, so I started getting beta readers to read the finished book and provide feedback. I would meet with them afterwards and ask them all sorts of questions about the plot, characters, and their understanding of the world. That provided invaluable feedback as I learned what came across well to readers and what did not work so well. As I mentioned, I also hire professional editors for all stages.
About Your Work
Name some common elements in your writing: villains, magic, red-herring twists, the unfortunate ensign, mysterious phenomena, asyndeton, sentence fragments etc.
Author: My writing style is very descriptive. I am going for total immersion, so that readers feel as if they are really there and feel what the characters are feeling. I pit dark characters against good characters, striving to explore the motivations for human behavior and how societies function. However, I always try to make my characters authentic and multi-faceted. I like to explore how people strive for a higher purpose and seek the divine to overcome darkness. This translates into magic in my stories, as the protagonists encounter insurmountable obstacles.
What has been your favorite part of the writing and querying or publishing process?
Author: My favorite thing is writing. My least favorite thing is querying. I like the publishing process, but it take time away from writing, which is my first love.
Where do you network most with other writers, authors, and creative types? LinkedIn? Wattpad? Twitter? Facebook? Somewhere else?
Author: I network on Twitter, Facebook, YouTube, and I join Facebook groups. Also Goodreads. And at conventions. I have met some of my best connections at writing and genre conventions.
Do you sprint-write like a starving cheetah, or are you a totally chill turtle writer? Somewhere in between?
Author: I write or edit a little bit every day, anywhere from 15 minutes to two hours per day, sometimes in small chunks. On weekends I like to do long writing sessions, interspersed with time to think about what I’m writing. I need uninterrupted quiet time and space to just dwell in my mind about the story I am writing: envisioning a scene; working through a plot knot; pondering the best wording or plot device; or outlining and planning the plot structure, world, and character arcs. I guess I would call myself a lion, who likes long days in the sun lazing about but also is a fierce hunter.
Struggles
What has been the hardest thing to overcome on your journey to authorship?
Author: The hardest thing was trying to find an agent or publisher. I failed at both.
How has the writing and querying or publishing process affected you emotionally? Do you have any tips for budding writers?
Author: I pretty much got impatient with the whole vetting process of agents and publishers. Perhaps I am somewhat bitter or jaded, but it all seems very random and subjective. The numbers just don’t make for good odds at getting a book deal. There are way more talented writers than there are agents and available slots for new authors at traditional publishers. If you didn’t come up through a respected MFA program or have some other connections, or you don’t win the publishing lottery, chances are slim at finding a deal. Not impossible, just slim. Some friends of mine were successful. So I’m not saying don’t try, just don’t take it personally if you are not successful at landing an agent and a book contract. I am very happy self-publishing. It’s a totally viable path at this point in time, particularly for genre writers like fantasy, romance, or mystery. 50% of the sales in those genres are self-published authors these days. They are definitely giving the publishing houses a run for their money.
Do you have any tips or recommendations for those who want to go the final step and become authors?
Author: If you want to write, then write. That’s the only way to get good at it. That means sit down and put pen to paper, or pound on that keyboard. Don’t worry about the quality, just start practicing and exercising the writing muscles. Try to write several times a week, like you would do to become good at any skill. Some people say they want to write, but they never actually write anything. Thinking and wishing for a thing does not make it so. Fate rewards those who take action. Writing courses/programs or workshops are always a good idea. Join a writer’s group or trade drafts online to get feedback and to read other people’s work. You learn just as much by reading the poorly executed story as you do the great ones. Regarding becoming a published author, go to cons and listen to panels, read trade magazines, and jump in. The water’s fine.
Fun Stuff
What book are you reading at the moment?
Author: “Kings of the Wyld” by Nicholas Eames, and “Burn Red Skies” by Kerstin Espinosa Rosero.
What is your favorite literary trope?
Author: How about my least favorite? Meta-fiction. Just doesn’t do it for me.
How do you try to “break the mold” and be unique?
Author: I write what is entertaining to me. I am not trying to be unique, I am trying to write a compelling story and improve my craft. I think my imagination is creative enough that my worlds and stories stand on their own.
Do you have a writing companion?
Author: I have three cats who take turns inserting themselves between me and my computer.
What’s the best piece of advice you’ve ever been given?
Author: Your best advertisement is your next book.
Hi! I’m EJ Fisch—author, artist, gamer, and overall nerd. First and foremost, I write science fiction, but all of my sci-fi has a thriller twist. After all, they say you should write what you like to read, and those are my two favorite genres.
I most recently published Embers (Feb. 22, 2022), the fifth installment in my character-driven space opera/spy thriller series. It felt SO good to finally get to share five books’ worth of character development with readers and bring the series to a satisfying close…for now, at least.
From Planning to Published
When did you start writing and why?
Author: I’ve enjoyed telling stories for just about as long as I can remember, and I dabbled in writing as long ago as elementary school. I started writing more seriously in junior high; a couple of friends and I had a goofy Star Wars roleplaying game going via AOL instant messenger, and I’d take the transcripts from our chats and type them up as actual prose. Star Wars had already sparked my love of sci-fi many years earlier, so it was at that point that I started wanting to develop deeper, more complex stories in this genre where there were virtually limitless possibilities and my imagination could run wild. Ever since then, I constantly have new characters and ideas brewing in the back of my mind, so writing (and subsequently publishing and sharing those ideas with others) is a perfect outlet.
If you’ve published, how long did your first book take?
Author: I want to say my first book took me about 10 months to write. Back then, I was writing totally for my own enjoyment and had no plans to ever publish, so I didn’t keep track of time very well. I actually wrote the majority of it during my senior year of high school and into early college. Then it sat and gathered dust until the spring of 2014, at which point I’d already completed the second book in the series and was well into plotting the third. It finally struck me that I’d put all of this work into these stories only to hide them from the world. That was when I decided to pursue publishing; I took a few months to go back and revise and spruce up the first book (it needed some MAJOR work), and then dove in.
Are you indie, traditional, hybrid, or vanity, and why?
Author: I am 100% indie. Self-published, to be exact, and not afraid to admit it. I saw a post on Twitter the other day asking self-pubbed authors whether they went that route solely so they could just get their work out there. Not gonna lie—that’s definitely part of it, but it’s only the tip of the iceberg. I chose to self-publish so I could maintain complete control of my work. Not only am I guaranteed to be able to share my stories with other people (even if readership is low), but I can stick to my own schedule. I can design my covers how I want. I can format both my ebooks and physical copies how I want. I can market how I want. I can tell the story I want to tell, and I can keep producing regardless of how a given book performs. Yeah, it takes a lot of extra work, but I can’t imagine leaving those things in someone else’s hands. I’m a strong advocate for eliminating the stigma surrounding self-publishing. There are a ton of incredibly talented writers out there who have chosen to go this route for many of the same reasons I have.
What platforms do you use to publish your works?
Author: I started out publishing exclusively on Amazon and made use of their Kindle Unlimited program. Then about 3 years ago, I made the switch to wide distribution. Now, my work is available at all the major retailers—Amazon, Barnes & Noble, Kobo, Apple, Google Play—as well as a number of smaller international retailers. KU/Amazon-exclusivity is so great in some ways and so limiting in others; I’m glad I made the switch.
Lieutenant Aroska Tarbic is an agent with the revered Haphezian Special Police. He’s lost a lot in a short period of time; the other members of his squad were killed in a tragic accident, and his younger brother was wrongfully convicted and executed for a crime he didn’t commit. Just when Aroska thinks he’s starting to piece his life back together, he’s assigned to a joint task force with a special operations team. It seems like a unique opportunity, at least until he learns his new commander is none other than Ziva Payvan, HSP’s finest operative…and the assassin who killed his brother.
Marketing
How do you define success as an author?
Author: Personally, every single sale is a small win for me. I started this little venture just wanting to share my work with others, so each sale represents a new person to share it with. It’s an even bigger win if those people enjoy the story and leave a nice review, or even better, when they reach out via email. No joke, I’ve had a few people send me a simple, quick email over the years just letting me know they enjoyed one of my books, and without fail, it makes me cry (never underestimate how much it means to an author to hear directly from a reader!). This happened most recently after I published Embers, which was already a very emotional project for me, so the simple message meant even more. I think I’d rather have 50 close-knit, enthusiastic, engaged readers who love my characters and stories than 50,000 random strangers who read the books, aren’t impacted in any way, and just move on with their lives. Of course not every writer is going to define success the same way, but that’s my definition.
And then I know I’ve really made it when people create artwork of my characters unprompted, or when people tell me my MC has showed up in their dreams (welcome to my life), or when people leave 5-star reviews saying they were traumatized by one of my book endings and will need to seek professional help 😉
About Your Work
What genres and subgenres do you write in?
Author: I write sci-fi with a lighter, more space opera/space fantasy feel. Not only is that what I’m more comfortable writing, but it has ended up making my books more accessible to people who don’t always read sci-fi—you don’t have to be a hardcore science fiction nerd to understand and enjoy them. I also like to incorporate thriller elements into my sci-fi settings. The main characters in my series are members of a superhuman race who form a special operations team for the primary law enforcement agency on their homeworld, so it ends up being kind of a cross between spy thriller and military thriller. You’ve got your space travel, futuristic weapons, and advanced technology, but also assassins, espionage, conspiracies, and so much more. It has been a really fun combination of genres to work with. One of the future stories I have planned takes place in the same universe as my main series but will have a little bit more of a post-apocalyptic flair.
What is your author brand (genre, mood, image, theme, message, etc)? How did you decide on it?
Author: When I first started out, I almost exclusively let my books define my brand, which I eventually learned was a mistake because series grow and change over time. It wasn’t long before my banners, logos, business cards, etc. were outdated, and I also didn’t want to be limited to just one story/series. A couple of years ago, I began using a new, more generic logo that consists of simple shapes and colors but still has a very “spacey” look. Space-related backgrounds set the atmosphere without detracting from whatever is in the foreground. I use a lot of reds in my designs, partially because red is my favorite color, and partially because it’s very befitting of my series namesake character. When paired with my logo, my tagline—“Imagination At Work”—elicits the idea of an expansive, exciting universe, but that phrase itself doesn’t limit me to any particular sub-genre. I use the same font for all my logos, book titles, chapter headings, etc.—it’s strong and crisp and has an adequate futuristic look while still being clear and readable. The idea was to create consistency across my whole platform—everything from the books themselves to my website and social media—while avoiding constraints that would warrant another re-brand a couple of years down the road.
How many works have you published?
Author: I’ve published 5 primary works. My Ziva Payvan series consists of a main trilogy (Dakiti, Nexus, and Ronan) as well as a duology (Fracture and Embers). While technically books #4 and #5 of the overall series, Fracture and Embers are kind of a collective sequel to the trilogy and can serve as a jumping-in point for new readers. The journey the characters go on throughout the series was so much fun to engineer. All 5 books are available in ebook and paperback formats, and excerpts from each are available to read on my website.
I’ve also published an ebook-exclusive omnibus that includes the first 3 books as well as some character interviews and sneak peeks. Dakiti is also featured in Forged from the Stars, a collection that also includes first-in-series sci-fi novels by authors G.S. Jennsen and Tammy Salyer.
Can you tell us a bit about your most recent publication?
Author: Embers was released this past February and is the final book in the current story arc (the plan is for all my future work to take place in this same galaxy, but everything will either be brand new material with the same characters, or a completely different spin-off). It’s very much a culmination of everything that has happened since the start of the series and has a huge emotional payout for the characters (and readers too, I hope!). Ziva, my main (anti)heroine, goes on such a journey over the course of the story, and it felt so good to bring that journey to a realistic and satisfying conclusion. In the book, she and my other characters find themselves caught up in what is essentially an interstellar gang war, all while hashing out the issues that have plagued them for the last couple of books and dealing with their own personal demons
Name some common elements in your writing: villains, magic, red-herring twists, the unfortunate ensign, mysterious phenomena, asyndeton, sentence fragments etc.
Author: I of course try to make each of my books unique in their own way, so the characters aren’t always facing the exact same problems, the antagonists don’t always have the same motivations, etc. But in general, my work always includes very strong—and often somewhat complicated—character relationships, regardless of the nature of those relationships. Trust is a major recurring theme throughout the series.
In terms of the writing itself, I’m not ashamed to admit I use a lot of sentence fragments for stylistic purposes—emphasis, dramatic effect, replicating the way people talk, etc. As you may have noticed throughout this interview, I’m also a huge fan of em dashes 😉
What was your first goal when you started your journey to becoming an author? Has that changed?
Author: When I first started, my one and only goal was to simply share my work with others and quit keeping it hidden. On the whole, that’s still my primary goal; if a few people out there enjoy my stories and fall in love with the characters, that’s a win for me. I think every author—especially us indies—wishes they could make more sales and reach more readers, and I’m no different in that regard. But if I ever find myself getting frustrated with lack of sales and lack of reach, I just remind myself why I started doing this in the first place. A few extra bucks in my pocket is nice, but that wasn’t the initial goal. And like I mentioned earlier, I can keep writing and creating regardless of how many sales I have.
Have you always read in the genre you wanted to write in? Do you think that’s made it easier or harder to create new stories?
Author: Sci-fi and thrillers are the two genres I’ve primarily read over the years, and in many cases (especially on the sci-fi side) that has been really helpful for me when it comes to creating my own stories. I tend to not enjoy reading really heavy, hard science fiction as much, but I also don’t care for it if it’s overly simplified. That has helped me kind of find a balance between the science and the fiction in my own work—I can write the level of sci-fi that I’m comfortable with and that I enjoy reading. Plus, since sci-fi is such an age-old genre, I have a lot of material to draw from in terms of what classic tropes I might want to include, or which clichéd ones I might want to avoid.
On the thriller side, reading that genre has helped more with overall story structure—the way problems are introduced, how a conspiracy unravels, etc. It’s a good way to study pacing.
What is your writing process, from idea to polished work? Pantster? Plotter? How long does that typically take you?
Author: I am 100% a plotter. I’ve given pantsing my best shot and failed miserably. Whenever I have new ideas brewing, I always start by just jotting down some rudimentary bullet points. Just recently, I experimented a little with writing things out in a more prose-like manner (“So there’s this planet…”) as if I were explaining the ideas to myself. I ask myself questions and branch off if I’m not sure which direction I want the story to go. Eventually I’ll end up with basic bullet points for the entire story, at which point I’ll start breaking them up roughly by chapter get a little more in-depth with my outline. I often continue building on the outline even after I’ve begun drafting, especially if I have notes for continuity-related details I don’t want to forget.
This will sound terrible, but I actually have no idea how long all of this takes. The outlining for my early books took place back when I wasn’t keeping track of time at all (I can’t remember if I even used an outline for the first book), and my last 2 books have been written in the midst of my day job, so everything moves at a snail’s pace. It never fails that the outline comes together fairly quickly, especially if I can gain some momentum, and then it takes me forever to actually write the story.
Where do you network most with other writers, authors, and creative types? LinkedIn? Wattpad? Twitter? Facebook? Somewhere else?
Author: I’m definitely most active on Twitter. I do a little networking on Instagram, and a little less on Facebook, but Twitter is where the majority of the meaningful interaction takes place.
Do you have any tips or recommendations for those who want to go the final step and become authors?
Author: I can’t speak for the querying/trad-pub process, but if you’re opting to go indie, and especially if you’re wanting to self-publish, my biggest piece of advice is to take your time. Do your research. Build your platform. Make sure your work is the absolute best it can be. If you want/need to hire an editor and/or cover designer and/or formatter, ask around in the community to find people who are a good fit for you. If you’re going to be doing your cover and formatting yourself, study other well-performing books in your genre and see what makes them shine (fonts, color schemes, etc.). If you make friends and build hype in the writing community well before your book is out, chances are you’ll have pretty good readership right off the bat when you launch. Some of those new friends may even serve as beta readers who can offer feedback and help you polish your story.
I say all of this as someone who got way too excited upon finally deciding to publish and rushed things. Frankly, my first book was not the best it could be when I published it (luckily it’s easy to correct typos and upload a fresh document to Amazon). I had no platform whatsoever other than the few people I knew in real life who’d found out I was about to publish. In the intervening years, I’ve redone all my covers and formatting, and I can’t help but wonder how much better all of my books would’ve performed if I’d done those things from the start.
So in short, I know it’s exciting, and it’s easy to get caught up in the fun and the hype. But step back, take a breath, and have patience—take the time necessary to create the most professional product you can, and you’ll be so much better off. Start strong.
Are you a driven & self-advocating author, a gun-shy promoter, or a total marketing procrastinator?
Author: I’m definitely somewhere between “gun-shy promoter” and “total marketing procrastinator.” I LOVE creating spiffy promotional graphics for my work and sharing them, but I hate feeling like I’m being obnoxious. If I’m running a sale, I tend to post a fun graphic with all the relevant info and links, pin it to the top of my social media, and then sit back and simply hope people see it. I’ve always hated saying, “Hey, buy my books!” (no matter how nice I try to make it sound LOL) even if that’s exactly what I want to happen.
Fun Stuff
What do you listen to while you write?
Author: I usually don’t listen to anything while I write—I don’t mind some ambient noise, but any type of music tends to be too distracting. Music usually comes later during the revision/proofreading process. I love instrumental music like movie scores, Two Steps From Hell, and Audiomachine, but at this point I’ve listened to all of that stuff so often that my brain forms associations with too much of the music and it’s just as distracting as lyrics would be. I do really like Ambience Lab on YouTube—there are a bunch of genre-specific ambience videos so it’s really fun to find some sci-fi related ones and get totally immersed in my work.
What have you learned about yourself from the writing and/or authorship process?
Author: I’ve known for a long time that I’m the World’s Biggest Introvert™, and I was just musing the other day about how that means I want recognition for my work and accomplishments but still hate being in the spotlight at all. I imagine I’m not alone in this—it seems like the vast majority of writers tend to have introverted personalities. This whole publishing adventure has forced me to maintain a certain level of self-awareness; in order to see any success, I’ve had to step out of my comfort zone to varying degrees over the years. It can be challenging, and sometimes it’s not very fun, but I think it’s been good for me nonetheless.
What is your favorite writing snack and drink?
Author: I tend to like hard candy that I can suck on absentmindedly while mulling things over—Jolly Ranchers or Gobstoppers are a solid choice on that front (pro tip: don’t eat an entire can of Ice Breakers mints in one sitting or your mouth will be raw for days). If it’s the weekend, you can bet I’ll have an ice-cold Dr. Pepper within reach—otherwise, it’s usually flavored water or Gatorade. In the colder weather, no writing session is complete without a mug of hot chocolate with a melted candy cane in it!
You can find me on all the major social media platforms—I’m most active on Twitter, Instagram, and Facebook. Hit me up! I always love chatting with readers and other writers, even if it’s about non-writing-related mutual interests like video games and movies.
Visit my website—www.ejfisch.com—to find everything you need to know about my work. Read excerpts from each book, find retailer links, check out concept art, and more.
Hi, I am Davene Le Grange, a Sci-fi Fantasy Author and Poet. I am currently working on a multi-genre 1,200 poems project. The first book in my twelve-book poetry series (inspired by cyberpunk and steampunk) includes almost every punk genre.
From Planning to Published
When did you start writing and why?
Author: My poem “Once Upon A Butterfly” was published in 2007, but it wasn’t until 2016 that I wrote to publish novels. My husband and the film “Arrival” directed by Denis Villeneuve inspired me to start writing. I wrote “Éatheria: Logbook 1” and the overview for a series of seven dark sci-fi fantasy books, which I hope to complete and publish after some more world-building, rewriting, and editing.
Marketing
How do you get reviews for your books?
Author: I typically reach out to friends and family first (recently via my newsletter) to request spreading the word, I will then go onto social media platforms such as Twitter and Instagram to promote my works (as well as the works of my fellow authors involved in anthologies), and also update my author website.
How do you promote your content?
Author: I did, following the recommendations of fellow authors on social media, try promotional sites, but quickly learnt that there is a lot of controversy on which sites are scams, cons, and that even the generally accepted sites are also sometimes called into question. I am grateful to have come across ALLi which investigates which sites to watch out for, because experience has taught me that even if you think you’re doing everything correct and doing your utmost to adhere to Amazon’s terms, reviews can still be called into question.
How do you define success as an author?
Author: I have learnt that reviews don’t accurately portray the quality of a book. If what I’ve seen fellow authors share online to be true then a high number of reviews or five-star ratings can stem from large online writer groups, some authors having the ability to spend more on marketing, or sadly when readers are attacked by authors for leaving an honest rating that is below three stars. I myself would rather not rate or even read a book if I feel the quality falls below 3 stars. Follower counters also don’t equate to sales, and I don’t believe that reviews equate to actual success. True success will always be the genuine friends and connections a person makes, and there are no short cuts in the forming of strong bonds between an author and their fellow authors and readers.
About Your Work
What is your author brand (genre, mood, image, theme, message, etc)? How did you decide on it?
Author: As a versatile person, I am still working on my author brand, but overall, I root for diversity, and would like to leave a lasting message of love, peace, and hope. I’m still discovering who I am as a person, and again rarely confine myself to any one particular label as I don’t like to limit myself. I am full of ideas all the time, my biggest challenge is keeping focused, but as I am still experimenting with finding my true passion project, I’m just enjoying living and discovering.
How many works have you published?
Author: I have had five works published so far. I have three short stories in three different anthologies: Broadcast 2220 in Arc City Stories (Todd Cinani as Lead Writer), The Spherical Realms and Penumbra and Luster in The Theater of Nok-Mondu, and The Undercover Goth in Neon Digital Darkness (James L. Graetz as Lead Writer). I also have my poem Once Upon A Butterfly published in Away With Words: Inspirations from Europe (Edited by Claire Tupholme), and have a self-published poetry book The Cyber Punk: Ready-2-Play?
Name some common elements in your writing: villains, magic, red-herring twists, the unfortunate ensign, mysterious phenomena, asyndeton, sentence fragments etc.
Author: Other than my focus on colorful imagery and diverse world-building, a common element I have noticed in my writing is a main character that questions if their actions are truly good. I personally find it very important to constantly question if I’m on the correct path and to challenge myself to see a situation from other perspectives.
What do you want your readers to get out of your works?
Author: Cautionary tales for what people build as well as inspiration to build a better world for future generations. My stories are by nature experimental, and I’m happy if they inspire at least one person to push forward with a new idea to create something good and beautiful for our world to enjoy.
Do you recommend any programs, courses, or websites?
Author: I would love to give recommendations but again what works for one author might not for another, and with the current climate I’d simply suggest adhering to the terms, rules, and laws as best you can but realize that you’re going to make mistakes and have disagreements. Do the best you can, learn as much as you can, and spread kindness rather than judgment. Not every author you meet has the knowledge and access to the same education as you do. If you see someone struggling offer advice and a helping hand or walk away rather than threaten, resort to group mobs, and cancelling people. Not everyone thinks, feels, and believes the same, and if free speech is to truly be free then our levels of patience, tolerance, and understanding need to reflect our acceptance of another’s right to speak freely. There are boundaries and limits of course, but that’s what the mute and block buttons are for. Opinion and fact are not the same, and people are complex and dynamic. Compassion is essential in the writing field.
What is your writing process, from idea to polished work? Pantster? Plotter? How long does that typically take you?
Author: Most of my ideas stem from thoughts and inspirations I had since I was a kid, and I simply attach new experiences and concepts to them. For this reason, I don’t struggle as much with writer’s block as much as I do with organizing my thoughts and ideas coherently. I typically write an overview to keep organized, and then write without editing until I have a first draft. Next, I edit over and over again until my work is the best quality I can produce. If I’m still willing to re-read and edit my work for the fifth, hundredth, or umpteenth time, then I know it’s a good enough story to publish because I’m still interested in reading the same story. My quickest turn around for a first draft is a week for 30 poems and a month for a 100K word novel, but a polished draft can take a month or years depending on the story.
Struggles
What has been the hardest thing to overcome on your journey to authorship?
Author: My toughest struggle continues to be discerning between good and bad advice for fellow authors, especially newbie and indie authors. It is a struggle to sift between what a writer needs to do, should do, and should never do. Even giving advice as an author can be tough because what works for me might not work for someone else. Writing much like life involves a constant learning process. If I may share one tip it is to be kind to yourself and others. As perfect as you want everything, and as much as you want everything to go as you envision, sometimes things don’t always go as planned. If you can make it through the writing process, through every obstacle and challenge, and if you can handle criticism with maturity and grace then you will grow stronger as a writer and as a person. No matter what, you and your story are worth being heard.
How has the writing and querying or publishing process affected you emotionally? Do you have any tips for budding writers?
Author: Absolutely. I have experienced thrilling moments that made me love every day, and I have had moments that made me want to quit writing and never read another book again in my life. I have experienced the same extreme emotions while writing as well where every emotion pours out of me on every page. Therapeutic as that can be, I do suggest allowing time to go through each emotion. Allow yourself as a budding writer to process every step of the writing to marketing process.
If you could do it all over again, what would you change?
Author: Even though there are times I wish certain things had taken a different route I don’t know that I would change anything because I’ve learnt so much. I believe you meet who you meet and you go through what you do for a reason, and it can all work to help one improve and grow as a person. No route will ever be perfect, and no decision made (good or bad) will ever be without consequence. Nothing can change the past, but working on improving the present, hopefully will mean a better tomorrow.
What assumptions about writers and authors do you think are myths?
Author: I believe one of the biggest myths is that you can write and publish a book and make tons of money from it. Most authors barely cover the costs invested in publishing, especially as an Indie. Also, another myth is that popular authors are the best authors around. Some of the (depending on your definition of success) most successful and greatest authors (as people and writers) are the yet-to-be-discovered gems. I recommend taking a chance on authors with intriguing book covers, good blurbs, and interesting sample reads rather than focusing on book reviews, popularity, and ratings.
Fun Stuff
What do you listen to while you write?
Author: I will listen to Heavy Metal when writing a battle scene, Alternative Rock and mostly Evanescence when writing a sad emotional scene. Synth or Melancholic Post-Rock for city landscape world-building, and Starset, Svrcina, and Sleeping At Last if my world-building involves distant planets and galaxies. Music, especially during the editing process, transports me to the correct mindset I need to fully immerse in the moment and emotions I hope to capture.
Where do you write your stories? A tiny office? A loft? The kitchen table? In the bushes while you secretly people-watch like a total creeper? Or a warm café with mocha in hand and feet up on an ottoman?
Author: I started writing in 2016 after suffering severe nerve damage. The most comfortable place for me to write at that time was sitting on a bed, which I do not recommend for posture or the neck. Thank God, I made a full recovery last year, and now write at the dining table or on the couch when our (my husband and my) adopted rescue pup Ava sleeps curled up between my legs. Once a dog falls asleep it’s an unspoken rule that moving is out of the question. I’m able to write a lot until Ava wakes up. I don’t mind that she interrupts my writing, watching her heal and grow is worth every second, and she fills our home with so much love. I wouldn’t trade my precious time with my husband and her, not even for a writer’s award or movie deal. For me true success is the love and joy shared with others, and there’s no greater blessing from God than the love and support of my Hubs and our pup. Everything else is an extra added bonus.
Hi, I’m Randy C. Dockens. I write Futuristic Fiction (with a Science Fiction feel and a Christian perspective).
My latest publication is the Erabon Prophecy Trilogy (Myeem, Sharab, Qerach).
From Planning to Published
When did you start writing and why?
Author:
Oh, wow! How do I begin? It’s a rather convoluted story. I think I’ve always had that desire most people have: write a book and be published. Yet, there was never any real follow-through as it seemed like such a dauting task. Plus, I never felt I had the time for such an endeavor. Several years after receiving my doctorate in pharmaceutical studies, working for the Food and Drug Administration for four years, and then starting a career as a scientist in the pharmaceutical industry, I decided to go back to school for biblical studies. I at first just wanted to learn, but then when I was asked if I wanted to audit or take the courses for credit, I decided that if I was going to do the work, I might as well get the credit. Again, no real plans there, just a desire to better understand the Bible. Yet, one thing led to another, and I found myself with another doctorate. This time in biblical prophecy. I found the subject so fascinating. That’s when I had to decide what was I going to now do with all that new-found knowledge.
Once, for my pharmaceutical job, I had to take a round-the-world tour stopping in India and Japan for several meetings. So, while in flight, the idea of writing a book came back to me and I began to write out what later became a nonfiction book about how the entire world is tied to a Jewish timeline. Yet, I never got any real traction from agents on that concept, so I began to think about taking my biblical learning and putting that into fictional stories. I took my understanding of science and of end-time prophecy and wrote a story about a character living in the coming Messiah’s promised kingdom and what his life could possibly look like in that environment. Most people I asked about their understanding of this time in future history as discussed in the Bible stated they really didn’t understand what the Bible taught about such a kingdom, so I thought readers could learn something and be entertained at the same time.
When I talked to a publisher at a writer’s conference about my idea, he stated that while my idea was possibly a good story, that may not be the best idea for a debut novel. So, I had to think more about a story more general and relatable. Driving home from work one day, my mind thought about the current world view and how God seemed to be less and less in our culture. I then thought about what would happen if the knowledge of God was completely taken away or banned. What would that look like? That’s when I started on The Coded Message Trilogy. This story is about an astrophysicist who works on a Mars mission and finds certain discrepancies at his work that then leads him down a road discovering how the masses are being controlled by mind manipulation. He then begins to search for the truth certain elites are trying to hide from everyone. It became a dystopian mystery trilogy and the first series that became published: T-H-B, F-S-H-S, and T-U-L-E. The book titles are the clues the characters in the books must solve to understand the truth for which they are seeking. The books allow readers to go on the same discovery mission along with the characters.
How long did it take you to finish your first book?
Author:
Again, this is also somewhat convoluted. For me, my first book written was not my first book published. The first book I wrote was a nonfiction book about how the Bible is a unique book and tells a story of how we are all tied to a Jewish timeline. Much of that book was written within a week as I was traveling around the world on a business trip to India and Japan. A lot of time was spent in flight which was when I did most of the writing. For some reason, I was unable to sleep while on the plane. The book then went through several revisions over the next several months. Then it sat dormant for several years although I did post a few chapters to the website I had at the time.
The second book was quite the journey as well. I think I wrote the first draft in only a few months. Yet it went through many, many revisions over several years. This was when I was learning about writing techniques and how to put a story together. I went to several writing conferences, got a lot of feed back at those as well as from doing a lot of reading from other authors and editors. I can’t even tell you the number of revisions that I did. So many.
The first book I wrote that became published is T-H-B. This is about an astrophysicist working on a Mars mission who discovers his world is not as wonderful as he thought it to be. He discovers that almost everyone in the world is being controlled and influenced by an elite few via mind manipulation. The reader then goes on a mission with the main character to understand what T-H-B means and how it becomes the answer to his search for how that clue will lead to the answer to his questions. Writing the book was likely a three-month process. Then, probably another three months of revisions.
If you’ve published, how long did your first book take?
Author:
The first book published was T-H-B, book one of The Coded Message Trilogy. It took me about three months to write the first draft and then likely another three to make the necessary revisions. That version went to my editor. His review took about a month. I then went through all his revisions, edits, and questions. The revisions and edits were mostly straightforward as he was after all the expert so there were few corrections to challenge unless he misunderstood some point I was making. I then answered his questions which dealt with the way I said something, a knowledge gap I had created in the storyline, or something he found confusing in the way I had worded it. Going through those questions and getting them resolved took about another month. This version went to the interior designer who put the text in a book layout format. I then read back through that version to proofread and ensure all looked and read correctly. That effort took approximately two weeks for me to finish. Anything I found went back to my editor who then did a thorough proofreading. His proofreading took another month at which time I then went back through his findings and answered any questions he had. This did not go back to my editor unless there was a major question I had for him. This version went back to the interior designer who implemented the changes which took one to two weeks depending upon the number of changes. I then ensured all corrections were as requested. Once complete, this version was sent to the publisher who worked with the printer to get the final book completed. As you can see, this entire process took about one year from the time I started to write until the final book was completed.
Has your publishing timeframe improved at all since your first publication?
Author:
Oh, absolutely. The first fiction book I wrote went through dozens of revisions even before an editor even saw it. It was probably three years before it even went to an editor. Yet, this book provided the learning that allowed me to have better quality from the get-go for my later books. I still have to edit and revise before the manuscript gets to my editor, but fewer edits are typically needed before I send it out. Yet, I have to say, no matter how many edits I make myself, my editor finds many, many more edits and revisions needed on my work. I do get some thrills occasionally when I find large stretches of text where he has no comments. I never expect to have none from my editor but it is still a worthwhile goal to at least try and get as few as possible. Yet, the book always reads so much better after his edits are incorporated even though I thought it read well after my own edits. An editor is such a crucial step, I hope no author skips it.
Are you indie, traditional, hybrid, or vanity, and why?
Author:
I think one would call it a hybrid. It is called custom publishing. While I get all the benefits of a publishing house in many of the things a publisher does, the buck stops with me and I have to approve all aspects of my book: text, cover design, interior design, font decisions, book size, etc. My publisher certainly weighs in on those aspects, but the final say is mine.
I met my publisher at a writer’s conference. He proofread the first 5,000 words of one of my stories and like it. He gave me his card and I contacted him about six months later. One of the main reasons for doing so was that it was very challenging to get an agent’s attention. Therefore, I went with his custom publishing concept because he had worked with a major publishing house for many years, had a good reputation in the industry, and really seemed to know what he was doing.
How did you determine your target audience?
Author:
I call my genre futuristic fiction which has a science fiction feel and a Christian perspective. While the “Christian perspective” may limit the target audience somewhat as there are Biblical views in the stories, that is not always the case. I have had some readers even from other faiths read some of my books and they commented that they enjoyed them. I have had others say they are not science fiction fans but enjoyed my books because they were so thought provoking. Therefore, while the major audience would be those who enjoy books with a moral perspective, this does not limit these books to just that audience entirely.
What is your publishing process?
Author:
It typically takes me about three months to write the first draft and then about three months to make the necessary revisions. That version then goes to my editor. His review takes about a month. I then go through all his revisions, edits, and questions. The revisions and edits are mostly straightforward so there are few, if any, edits to challenge unless he misunderstood something I was trying to say. I then answer his questions which deal with the way I said something, a knowledge gap I created in the storyline, or something he found confusing in the way I worded it. Going through his comments and questions and getting them all resolved takes about another month. This version then goes to the interior designer who renders the text into a book-type format. I proofread the version sent back to me and ensure any and all revisions look correct and reads well. That takes approximately two weeks for me to finish. Anything I find goes back to my editor who then does a thorough proofreading himself. His proofreading takes about another month. I then go back through his findings to answer any remaining questions if he has any. This version does not go back to my editor unless there is a major question I have for him. This version goes back to the interior designer. This takes only one to two weeks depending upon the number of changes. I then ensure all corrections are as stated. Once complete, this version is sent to my publisher who works with the printer to get the final book completed. Overall, it takes nearly a year from me starting to write until the final book is complete.
What platforms do you use to publish your works?
Author:
I go wide with my work. My publisher produces a hard copy in paperback and works with another company to provide an electronic version of my book. The books are available directly from the wholesaler and through various sources like Amazon, Barnes & Noble, Kobo, and others. I typically get an audiobook completed using a hired narrator and my publisher uploads the completed audio files to Audible.
How do you get critiques, betas, feedback, and edits?
Author:
I don’t have any one way to accomplish this. I have had family and friends read some stories to give feedback. I have found this strategy not that successful as many will just say it was good with not much feedback. Yet, I have had a few friends give some very good feedback. For Mercy of the Iron Scepter, one friend suggested I provide more information to what was going on in Jerusalem when the main character visited for several days. That led to me creating Chapter 7 of the book which has become my favorite chapter for that book. For another story, Hope Renewed, a friend suggested I bring back a certain character later into the story to provide some resolution. I did and found doing so provides a nice finish to a part of the book that would otherwise be left hanging—not a glaring problem but one more satisfying by telling the reader what happens to that particular person.
My editor gives a lot of feedback for when the storyline does not seem to have good resolution in a certain area or in how I have not explained something well or a concept or idea in the storyline doesn’t quite resonant with him. This lets me know that if that particular aspect of the story doesn’t resonate well with my editor who is so closely invested into the story than any other reader will likely be, then other readers will likely have similar concerns since they will understand even less of the whole storyline. Therefore, I gladly make those changes to either make that area of the storyline make more sense to a reader by either adding more rationale for the decision that was made by a certain character or adding more detail to a scene to help it have better closure.
Marketing
Do you have a platform? What does it consist of?
Author:
I have a website, http://www.RandyDockens.com, where I will post information about each book, how it can be purchased through various media, and even have a bookstore where the books can be purchased directly from the warehouse for a slight discount. In addition, I advertise the books through such media as Facebook, Instagram, and Twitter.
What is your launch plan for your works?
Author:
I will announce my upcoming book on my website, through social media like Facebook, Instagram, and Twitter, and will send out e-mail announcements to those who signed up for a newsletter via my website.
How do you get reviews for your books?
Author:
I utilize social media about new books as they come out. I sometimes will have giveaways on Goodreads and will announce through e-mail to those who have signed up for newsletters on my website. Yet, these methods, while sometimes fruitful, do not always yield the desired reviews. I find that spontaneous reviews occur about the same frequency as trying to obtain reviews through targeted means.
How do you promote your content?
Author:
To be honest, I’m still trying to learn how to do this better. I currently rely mainly on word of mouth for those who enjoy my books to share their enthusiasm with others. I do use social media to also advertise as well as send periodic e-mails to those who have signed up for the newsletter from my website.
What do you think is the most critical marketing component or tactic for becoming successful?
Author:
I’m not sure there is any one way to become successful. I think everyone has a different story and a different journey to tell. It may be that different genres and different audiences need to use different marketing techniques. Sometimes one needs to experiment with various avenues to find the one that works well for their content. I have found the Christian market seems to be more cautious than other markets. For whatever reason, the Christian audience is more skeptical and afraid to try new material and authors they may not know anything about. Probably more so than any other genre, it often seems that an author needs someone with a larger platform to endorse them and their work before it can be extremely successful with name recognition. That may not always be true, but it seems to be true from my perspective.
How do you define success as an author?
Author:
Every author likely defines success differently. However, if one defines success only by being extremely lucrative monetarily, then only a few would be able to claim success. I think if one enjoys writing and enjoys the stories they write, they are successful. Yet, by that statement I don’t mean writing without good quality but writing in a way that editors and publishers consider it well written. While it may take a while, I do think there is an audience for the work of each author.
About Your Work
What type of content do you write and why? Fiction Novels? Poems? Songs? Screenplays? Short Stories? Epic?
Author:
Most of what I write I would describe as futuristic fiction. I know that is not a term many may be familiar with. I would say it leans toward science fiction but not all have the classic features of science fiction. Most stories occur in the future or have some form of futuristic nature to them, but do not have the classic features of science fiction design as most of my novels do not have aliens in the story, or not in the classic sense. I currently have only one series that is truly science fiction in that the main character encounters aliens as we would think and describe them. In my Erabon Prophecy Trilogy (Myeem, Sharab, Qerach) the aliens are found to be anatomically different from humans. Most of the other novels do have a science fiction feel to them but no aliens. For example, The Coded Message Trilogy (T-H-B, F-S-H-S, T-U-L-E) is set in the future near the end of the 21st century. The science fiction feel comes from the main character being an astrophysicist and working towards a Mars launch which occurs in the third book of the series. The Stele Prophecy Pentalogy (Mercy of the Iron Scepter, Promised Kingdom, Hope Renewed, Darkness in the Light, and Iron in the Scepter) has a definite futuristic feel to the stories as they are set in our distant future. While no aliens, per se, they do have angels, so the stories do have a futuristic, fantasy vibe to them if not truly considered science fiction. I now have a new series that I’m working on, The Adversary Chronicles, where classic Bible stories are retold in a way many will likely not have heard before. These stories are told from the perspective of one of the archangels, Mikael. One will read how the spiritual and physical worlds are tied together to achieve our historical outcomes. That’s why I describe my stories as futuristic with a science fiction feel and a Christian perspective.
I have been working on turning some of these novels into screenplays. I have taken the book T-H-B and divided the book into one-hour screenplays that could yield a season of shows for television. I haven’t received traction on that concept yet, but I haven’t given up on its success. I would like to turn my Erabon Prophecy Trilogy into a science fiction screenplay as a full-length movie.
I do have one nonfiction book entitled, Why is a Gentile World Tied to a Jewish Timeline? The Question Everyone Should Ask. This takes the culmination of by biblical studies and puts them into a cohesive narrative. My doctorate thesis was on how Gentiles are dealt with in the Bible. Most know that the Bible was written by Jewish authors and the story is about the Jewish nation. Yet, the Bible contains a lot about non-Jews as well. This was the topic of my thesis showing both groups are prophetically tied together very intimately.
What genres and subgenres do you write in?
Author:
I guess the genre would be science fiction, but the subgenre would be futuristic fiction. I usually describe the stories I write as futuristic fiction with a science fiction feel and a Christian perspective.
What is your author brand (genre, mood, image, theme, message, etc)? How did you decide on it?
Author:
I have an educational background in pharmacy and in biblical studies. About a year after getting by degree in pharmacy, I went back to college and obtained a doctorate in pharmaceutical sciences. I then worked for the Food and Drug Administration and later for the pharmaceutical industry as a pharmacokineticist. That fancy word just means the study of how a drug is absorbed, distributed, metabolized, and excreted by the body and then how to describe those processes mathematically. I have always had an affinity for the study of biblical scriptures and decided to take courses to better understand them. I first got a master’s degree in Jewish studies and then a doctorate in biblical prophecy. Because of my background, and my interests, my books contain a lot of science and also tie Jewish biblical prophecy into them. I think this makes them unique from other science fiction and/or futuristic books available. I think the science helps the stories to be believable and the prophecy components help to educate the reader about aspects of God that they may not have considered before. While the goal of each book is to be entertaining, the reader can also learn something simultaneously even though they are not reading for that particular intent.
How many works have you published?
Author:
I have quite a few books and media. Here is a list:
The Coded Message Trilogy (T-H-B, F-S-H-S, and T-U-L-E): paperback, eBook, and audiobook
Two backstories to T-H-B: eBook
The Stele Prophecy Pentalogy (Mercy of the Iron Scepter, Promised Kingdom, Hope Renewed, Darkness in the Light, and Iron in the Scepter): paperback, eBook, and audiobook
Erabon Prophecy Trilogy (Myeem, Sharab, and Qerach): paperback and eBook. Myeem is available as an audiobook. Sharab is currently in the process of being made into an audiobook.
The Adversary Chronicles: four of these are expected. Only the first, Rebellion in the Stones of Fire, has been published: paperback and eBook. The second book of this series, The Holy Grail of Babylon is currently being edited and is expected to be published in June of this year, 2022.
Why is a Gentile World Tied to a Jewish Timeline? The Question Everyone Should Ask: nonfiction book in paperback and eBook.
Can you tell us a bit about your most recent publication?
Author:
The series that just completed is called Erabon Prophecy Trilogy. Interestingly, the genesis of the idea for this trilogy happened over a dinner conversation. My wife and I met with some friends of ours one evening at a local restaurant. The conversation went far and wide and even verged on the ridiculous. We started talking about aliens, and our conversation at first posed the general types of questions most think about: What would aliens think of us humans? How different would they look from us? How advanced would their technology be from ours? Those thoughts then led to deeper questions. What would be their core beliefs? Would they serve a different type of God than we do? As we talked, we came to the realization that if truth is truth, then our God would also be their God. The way they look, the customs they follow, and the way they worship may be different, but the essence of who God really is to them should be the same as he is to us, if God is really God of the universe.
This series has the main character, Nuke, find worlds totally different from anything he has ever experienced, yet he finds certain things so familiar to him. This makes him question the reality of what he is experiencing. Also, when back with his friends in his solar system he always felt different because his skin has an electrical conductance which causes the medical equipment to go haywire during his physical exam when he first enters the Academy for training in the International Exploration Federation. His best friend, Michael, laughs it off and calls him “nuclear” which leads to his nickname Nuke which all his friends begin to call him. Although he brushes it off, this always makes him a little self-conscious and feel different from others. Yet, he finds this human uniqueness to be a benefit on these alien worlds as it allows him to fulfill certain alien prophecies.
Nuke finds that he is supposed to help unite six different alien clans, each on a different planet, to help prepare them for the return of Erabon, their deity. Yet, he finds each clan to be bias in the way they worship as they feel their way superior to the way the other clans worship. This fact and the imposed moratorium on space travel become big obstacles to overcome to achieve his prophetic objective. It seems a miracle is expected each step along the way to allow these clans to listen to him and accept him as the prophesied prophet to lead them back to Erabon. Each book portrays his work on two of their worlds: Myeem tells of his work on Myeem, the water planet, and Eremia, the desert planet. Sharab tells of his work on Sharab, the fire planet, and Ramah, the mountainous planet. Qerach tells of his work on Qerach, the ice planet, and Aphia, the air planet.
I will add that another series, The Adversary Chronicles, has just started. The first book of this series, Rebellion in the Stones of Fire, was published in February of this year. This series tells of various Bible stories but are told in a unique and original way that most likely have not heard before. In addition, they are told from an angelic perspective. This first book is about the fall of Lucifer and the worldwide flood. I want readers to better understand and appreciate biblical scripture and perhaps gain a perspective about God they may have not considered before. For example, in this first book, it demonstrates the flood was more about God’s love than it was about God’s vengeance.
Name some common elements in your writing: villains, magic, red-herring twists, the unfortunate ensign, mysterious phenomena, asyndeton, sentence fragments etc.
Author:
The most common element is that each series provides a Jewish perspective to biblical elements that are in my novels. The reason for this is two-fold. Almost all biblical scripture is written by Jewish authors and thereby from a Jewish perspective. Also, when the Jewish perspective is understood, it adds another layer of understanding that makes scripture come alive and be more meaningful. A lot of scripture is multidimensional: it had meaning for those in the past, has meaning for us today, and has future prophetic meaning as well.
I think another common element is the way characters in the books communicate to each other. There is a lot of comical banter between them. I don’t think it is overdone, but it does add some tension relief when the stories become tense or when a serious topic is being discussed. It helps to propel the story forward in a way that mimics real life better and helps to keep the interest of the reader as another goal of mine is to help educate readers but in a way that is first and foremost entertaining. Learning is important but not at the expense of enjoying a good storyline.
What was your first goal when you started your journey to becoming an author? Has that changed?
Author:
Well, one of my goals is to educate readers on biblical topics. That was more paramount in the beginning. For example, when I wrote the first draft of Mercy of the Iron Scepter, about the first third of the book was backstory for the reader to understand how the Messiah’s promised kingdom occurs. I thought that was important. However, after several agents and reviewers read the draft, I discovered not everyone wanted a geographical and historical lesson before they read a story. They want a story first and foremost. Therefore, this book went under a huge transformation. I had to take a lot of the information out and intersperse important pieces of backstory that were necessary for understanding the backdrop of the storyline throughout the novel so the information was digestible in smaller chunks and did not overwhelm the reader or cause them to lose interest in the story. Doing it that way helps the reader know bits and pieces of the backdrop and historical aspects so he/she can appreciate and understand where they currently are in the storyline. It helps propel the story forward at the same time as preventing the reader from getting lost by not knowing the background for the dialogue, action, or scene that is unfolding for them as they read.
Do you have other supporting services like a podcast, blog, webinars, courses, video channel?
Author:
I do have a blog on my website. It is more of an educational blog in that there are biblical topics brought forward and explained from a Jewish perspective so that the true meaning of the topic and the supporting scripture can be better understood. The topics are varied and span a lot of topics: from understanding how quantum physics helps explain the Godhead to understanding how the apostle Paul kept his Jewishness even when prompting Gentiles to not follow certain Jewish customs and why.
In addition, I have a YouTube channel where I have a couple of book trailers and have several videos to explain Biblical topics that are covered in the first book of the Stele Prophecy Pentalogy, Mercy of the Iron Scepter. I did this because certain aspects of the backdrop of the story are from my imagination and others are from biblical scripture. I thought it important for readers to be able to know the difference if they didn’t already know.
What do you want your readers to get out of your works?
Author:
First and foremost, I want readers to be entertained by a good story in which they can immerse themselves and get lost in. But secondly and yet still importantly, I want readers to perhaps learn something about God they may have not known or considered. I think God and the Bible are amazing and others may think so as well if they are given a better understanding and appreciation of them. I think my books are good for those who do or do not take these aspects seriously. If they consider that part fantasy, they can still get a good story with entertainment value. Yet, if they want to go further and work through the understanding with the characters as they go on their quest to understand deeper matters, then they will not only be entertained but learn something new, unique, and different along the way. I hope readers find that an exciting aspect to my books.
What part of the author process are you working on or studying most now?
Author:
I have always enjoyed the creative side of being an author. I am constantly thinking about what the next topic, world, or idea to develop can be and still make it unique and exciting. That is something I am constantly working on because, while it is fun, it is also a lot of work to achieve that and make it seem spontaneous, vibrant, and different for readers from other works I have written.
Also, technically, I am always working on sentence structure so my prose will not seem repetitive and to make the sentences flow from one to the other without them seeming choppy or worded stiffly. Getting ideas and the story down on paper is one thing. Making the story flow effortless and smoothly in a reader’s mind is quite another. There is more than one way to write a sentence and more than one word to use to convey a thought. Yet, there is a unique way that creates the right flow and the right thought that propels a reader onward and not wanting to stop.
What has been your favorite part of the writing and querying or publishing process?
Author:
I think understanding the publishing process has been very eye opening. It is first and foremost a business and took some time to really realize that. I have been publishing a book every four months for a couple of years now. That means I’m writing a new book, editing the draft of a completed book, proofreading another book, and working with the cover designer on multiple books simultaneously. This means I must be able to multitask and not get all those elements mixed up in my mind, which I have done from time to time. I try to read other works to help keep my creative juices flowing. Plus, I’m a father and a husband so all those aspects of my life must be fit in as well. It’s rewarding for sure, but I must constantly remind myself to enjoy the journey.
Do you recommend any programs, courses, or websites?
Author:
I have taken two courses that have proven helpful. Yet not everything they teach may apply to all genres, but they do provide good guidance in how to move one’s writing career forward. One is the Self-Publishing Formula (SPF) by Mark Dawson. He has both a course about how to market oneself and one’s work as well as podcasts where various authors are interviewed to reveal how they have been successful and what they did that worked for them. The other is Author Marketing Mastery Through Optimization by Lars Emmerich. Both are somewhat expensive yet do provide good information for consideration and provide a technique to follow. However, as with anything, there are no guarantees of success. Each person, genre they write, and goals they have are different.
There are several books that may prove helpful as well. Here are some I have found helpful:
Self-Editing for Fiction Writers: How to Edit Yourself into Print by Renni Browne and Dave King
The Story Template by Amy Deardon
The Elements of Style by William Strunk Jr. and E. B. White
On Writing Well by William Zinsser
The Emotion Thesaurus: A Writer’s Guide to Character Expression by Angela Ackerman & Becca Puglisi
Which authors write similar books to yours? How did you find them?
Author:
Several readers have commented to me that reading my books feels like watching a movie and they have compared them to a movie rather than to a book, although many of the movies mentioned are also books. Here are a few examples:
Some readers have commented that The Coded Message Trilogy reminds them of the Divergent Trilogy by Veronica Roth. I think the reason for that is that the main character in my trilogy, Luke, is similar to the Divergent main character, Tris, in that he represents a threat to the elites who manipulate the world because he is immune to the mind manipulation the elites have imposed on society similar to how Tris was considered dangerous because she did not fit into any one faction in their society.
The Stele Prophecy Pentalogy has been compared to the Left Behind series by some. I think that is because the backdrop for both series is similar even though the story lines and plots are different.
The Erabon Prophecy Trilogy has been compared by some to James Cameron’s movie Avatar. I assume that is because both have a lot of imagery with unusual and colorful aliens and their lives center around a deity they worship.
The newer series, The Adversary Chronicles, I think is somewhat similar to the books by Frank Peretti like This Present Darkness in that they both deal with the spiritual realm and how that realm affects the physical realm and directly impacts people’s lives.
Have you always read in the genre you wanted to write in? Do you think that’s made it easier or harder to create new stories?
Author:
I have always loved science fiction stories and movies. I grew up watching such shows as Star Trek, Space 1999, Doctor Who, and Battlestar Galactica. Even as an adult I enjoyed Star Wars, Stargate SG1, Avatar, Jupiter Ascending, and more. I think all these shows, as well as my science background, have influenced and inspired a lot of my writing. I think they have made it easier to come up with ideas because they have allowed my mind and thought process to go far and wide to envision what could be even if the concept can’t be implemented today.
What is your writing process, from idea to polished work? Pantster? Plotter? How long does that typically take you?
Author:
I have to say I’m a pantster. I have tried plotting everything out beforehand but found that, for me, that process seemed to inhibit my creativity. I have a concept in mind and a general idea of where I want to start and where I want to end, but no idea how to get there. I just start, put myself in the moment and see what develops. I know that would likely drive some authors bonkers, but that’s sort of how I roll. It makes it exciting for me because I feel like I’m on a constant adventure and discovering where the story goes each time I sit down to write. I think it makes it more exciting. The length of time it takes varies but it is usually around two to three months to get the first draft completed. Of course, there is another two to three months to get it more polished and ready for my editor. My wife can tell you that once I start on a story it is difficult for me to break away before I have the first draft of the story completed. My brain seems to be on it constantly. My wife is happy that I write but then happy when I complete a story so she can have me back for a while.
Where do you network most with other writers, authors, and creative types? LinkedIn? Wattpad? Twitter? Facebook? Somewhere else?
Author:
I would have to admit that this is one of my weakest links. I don’t really network with other authors. I did try to join a writer’s group at one point, but the group really didn’t go anywhere. I did attend writer’s conferences early on that were nearby, but I found after attending a few they seemed to be repetitive in nature. I did not pursue those conference where I would have to travel. This is definitely an area I need to work on.
Do you sprint-write like a starving cheetah, or are you a totally chill turtle writer? Somewhere in between?
Author:
I think I’m closer to the starving cheetah than the chill turtle but maybe more of a hungry cheetah than a starving one. Once I start writing, the storyline is on my brain constantly until I get the first draft completed. Once that has been achieved, there is still much work to do, but I can then work on it at a slower pace. Although, I admit, I seem to be working on something related to my writing constantly.
Struggles
What has been the hardest thing to overcome on your journey to authorship?
Author:
For me, the hardest thing has been marketing. A lot of the tactics I have learned for marketing that has worked for many other authors has not worked that well for me. It just seems the Christian market is a tougher market to break into. I think many individuals in this type of audience are very skeptical of new books and authors they may not be familiar with as it seems doctrine plays a big role for this type of audience despite whether the story is a good one or not.
How has the writing and querying or publishing process affected you emotionally? Do you have any tips for budding writers?
Author:
The first thing to remember is that publishing and everything that goes under that umbrella is a business and many times a cutthroat business. One must have a thick skin and develop a healthy look at oneself and one’s writing. Many agents can be blunt and verge on being almost cruel.
I did get discouraged in the beginning due to the negativity and rejections. It wasn’t all negative, but not totally positive either. For example, I had one agent tell me that they loved the way I wrote but did not want to represent me. I kept pressing her to find out why as I didn’t know how to change anything if she couldn’t tell me why. She then became blunt and stated she didn’t want me to be a project for her. This took me aback at first, but then I realized she was saying that the way I wrote and put words together was good, but just not refined. That’s when I went to studying the craft of writing.
The best advice I can give is to just never give up. Continue to read and improve your craft. If possible, take all the comments you receive as opportunities to learn and grow so you can build up confidence in your work despite what hurtful comments may get hurled at you. While everything others say may not be totally accurate, don’t dismiss what they say entirely. Take their words and ignore their tone. There is likely some truth there you can glean even if it hurts at the time.
In the beginning be sure you have an excellent editor. You may need a grammar editor and a separate content editor, especially in your early days to be sure you are developing your stories correctly in a way that appeals to others. Comments from these editors will be real gold nuggets to help you get on the right track.
Just note that whether you go the traditional publisher route, self-publishing route, or the custom publishing route, most of the marketing will be up to you. Therefore, be sure and study marketing techniques. Also remember that just because one method works for others may not mean that method will necessarily work for you. It helps to know your audience as that helps you to know how to market to them.
Do you have any tips or recommendations for those who want to go the final step and become authors?
Author:
The best advice is to not give up. Even successful authors had a starting point, and their start oftentimes was not pretty. So, don’t get discouraged. Learn from every feedback no matter how positive or negative it is. Don’t focus on the tone of the feedback but the content of the feedback.
Learn and study the craft of writing. Good grammar and correct spelling are really very important. Granted, one does not have to use correct grammar all the time in one’s writing because as an author you are writing to convey not only information but feelings. Yet, everything you write and the way you write it needs to be deliberate. In other words, you may not follow good grammar, but you need to know that you did not follow good grammar and it was intentional. Every sentence, every word, and every punctuation should be purposeful.
If you could do it all over again, what would you change?
Author:
My only regret is that I didn’t start earlier. I perhaps would have more time to try and go the traditional publishing route rather than the custom publishing route. Yet, I think one can be successful no matter which route one takes. Yet one way may require more or different marketing efforts than others.
Are you a driven & self-advocating author, a gun-shy promoter, or a total marketing procrastinator?
Author:
I am very self-motivated as far as writing is concerned. I do procrastinate somewhat when it comes to marketing for it is time consuming. There is a lot of trial and error when it comes to marketing. I think once one finds a method that works well for them and their genre it gets better and perhaps can become somewhat automated. Yet, a lot of time is needed to get name recognition.
How do you keep yourself motivated?
Author:
I’m not sure I have a good answer to this question except that I think writing is something that comes from within. I think if you are born to write you have to force yourself not to write than force yourself to write. I suppose it could be a learned craft and then you must figure out how to motivate oneself to do that. Yet, that is not what I have personally experienced.
How do you combat writer’s block?
Author:
I haven’t experienced writer’s block per se. I have had to take time to research how something is done or to understand the science around a process so that the story comes across as believable, yet not that I didn’t know where to even go. I think if you write about things in which you are passionate then writer’s block will be less likely.
What literary/writer-based term did you not know when you started that has become important and relevant to you?
Author:
When I first started, there was a lot that I did not know. At that time, I took everything I read as gospel and tried to follow everything I read to the letter. That is why my novel Mercy of the Iron Scepter went through so many revisions before it was ever published. For example, I read that the word that should never be used because it is superfluous, the word was should never be used because it is too vague and passive, exclamation points should never be used because good writers can write in a way that will indicate the emotion rather than having to show it with an exclamation point, and dialogue tags should not be used because that is the sign of a weak writer.
What I came to realize was that these were just pet peeves of certain writers, agents, editors, and publishers. Yet, they are not absolute. Now, each of these points are useful and can be taken to heart, but not be gospel. These people should have clarified that one should be aware of these pitfalls and to not overuse them. It is impossible to avoid each of these altogether. For example, many times the word that can be omitted because it is superfluous. Yet, that is not always the case. It is true that was can often be passive and a better expressive word can be substituted, but not in every case. Regarding exclamation marks, yes, one should write a sentence that a reader can tell it is an exclamatory sentence. Yet shouldn’t one use a exclamation point if the sentence is an exclamation? I think the point is that an exclamation point does not make a sentence an exclamation if the tone of the sentence is not written that way. And, finally, yes sometimes dialogue cues are not needed, and dialogue can be written without them. Yet, if there is any chance of a reader getting confused, then a dialogue tag is needed.
My point here is that one should take to heart what others say about writing tips and tricks, but realize they are not absolute. You need to be sure your writing style and emotional content comes through loud and clear but done in a way that uses good sentence structure, spelling, and grammar. But, if an element or emotion is needed that dictates not to use traditional grammar or traditional sentence structure, then that is okay as long as what you do is intentional. Your reader will be able to tell if what you did was purposeful or not. So, you can do anything, just know you did it and that it was a purposeful change to accomplish something special for your reader.
How did your family and friends react to your writing? Was it what you expected from them?
Author:
I found family and friends are verbally supportive but not necessarily financially supportive. Many of my family and friends have never read one of my books. They will always give a “like” on social media but never read my novels. The most irritating thing is that for them to agree to read one of my novels, they expect a free copy from me. That surprised me in the beginning, but I’ve found to just love them and let it go.
What assumptions about writers and authors do you think are myths?
Author:
I think there are three main assumptions that are definitely myths:
Writing is easy. No one, but other authors, understands the time commitment, dedication, and disappointment that a budding author must endure.
You write a story, it is published immediately, and you make a lot of money. No one, but again other authors, understands how much time it takes to go from starting a novel to having it published. So many people get a piece of the pie before the author gets their piece, or rather their crumbs.
Sales are automatic. No one, but compatriot authors, understands how much time and effort are needed from an author to get noticed and recognized for the work they have put their heart and soul into.
Fun Stuff
What do you listen to while you write?
Author:
If I listen to anything it is usually instrumental music. I find it difficult to listen to singing when I’m trying to think of something in my own mind. More often what I will do is go out to a restaurant franchise (like Saladworks or Dairy Queen) and get something to eat and then write, edit, or proofread. For some reason if they play music, I’m able to tune it out better than music played at home. I do find that different venues rather than sitting at home and writing from the same place all the time help me to get a lot of writing accomplished.
Is there a fun word or group of terms you like to put into your writing?
Author:
To be honest, I never thought about doing that. I do try not to use the same terms all the time, but I do find there are certain words or phrases I wind up using without meaning to do so. I recall in one of my novels my editor told me that I had everyone smiling too much. One of the things as a writer I want to do is show and not tell. That means I need to describe emotions rather than just stating the emotion. This does mean I need a wide variety of words with similar meanings to convey that same emotion so readers are not inundated with the same word description all the time. That does make it challenging, yet imperative.
Where do you write your stories? A tiny office? A loft? The kitchen table? In the bushes while you secretly people-watch like a total creeper? Or a warm café with mocha in hand and feet up on an ottoman?
Author:
Many times, I will go out to a restaurant franchise (like Saladworks or Dairy Queen) and get something to eat and then write, edit, or proofread. For some reason being at different venues helps me more than sitting at home and writing from the same place all the time. Most of the time I am at home at the dining table or in my comfy chair, but I do find the change in venues helpful to keep ideas flowing in my mind.
What book are you reading at the moment?
Author:
I am not reading anything now as I seem to have a lot of things going on currently. I did recently finish the trilogy Time Traveling Journals of Sahara by Tracy Higley.
What is your favorite literary trope?
Author:
In almost every book or series, I have a good deal of banter between the main characters. This sometimes employ sarcasm, irony, or hyperbole. I think this adds a whimsical atmosphere to tense situations. In my book T-H-B from The Coded Message Trilogy, I have Natalia who is a very serious person in the book with ninja-type qualities make a joke which, I think, makes it even more funny as it is unexpected. In one scene, she is talking to two other women when the main character, Luke, approaches them and says, “Well, I see all the beauty is on this side of the room” to which Natalia responds, “Well, it was.” This takes Luke aback as that was something he did not expect from her, and I think it does the same for the reader.
Another example is in Myeem from the Erabon Prophecy Trilogy where the main character, Nuke, often uses earth expressions like killing two birds with one stone and says it to a Myeemian who doesn’t even know what a bird is much less why one would want to kill it. He keeps telling himself he needs to stop doing that, but he always repeats his error. It again helps to relieve some tension in some serious or tense situations as well as help make him real and show his human side while in an alien world.
How do you try to “break the mold” and be unique?
Author:
I think my books are unique in that I bring the Jewishness of biblical scripture into almost every series. I want people to know that there is a richness to scripture they might not have considered, and this brings a new aspect to who God is.
What have you learned about yourself from the writing and/or authorship process?
Author:
I have found that I enjoy writing more than I ever thought I would. It has helped me combine my joy of science and my joy of scripture together to produce something cohesive with a purpose. While it I important that each book provides a satisfying entertainment value to the reader, I want it to be even more for the reader so that, if they wish, they can learn something they did not know before or at least provide some food for thought they can mull over long after the story itself has ended.
What is your favorite writing snack and drink?
Author:
I never really thought about this before. I can’t say that there is anything that I eat or drink on a routine basis when I write. Although most of my writing is done at home, I do like to go out to do some of my writing. I typically go to a place like Saladworks and eat my salad and drink my Diet Coke while I write. Other times I will go to a place like Dairy Queen for a Blizzard or Sundae to eat while I write. I do try to limit the number of times I go to the latter.
Do you have a writing companion?
Author:
I don’t have a writing companion, but I will pass many ideas through my wife and get her opinion. Sometimes it just helps to get a different perspective to help the story go in the right direction. I often have her read the first draft or sections of the first draft for her thoughts. She is more of an emotional person than I am, and she can help me get the right emotion expressed for particular situations. For example, in Promised Kingdom from my Stele Prophecy Pentalogy series, a good female friend of the main character was dying in his arms. I had him crying because she was a good long-time friend. Yet, my wife stated that because he was a soldier, he would more likely deal with what was going on without expressing his emotions and then later break down when he was by himself. I thought that was very insightful and that is how I wrote the scene.
What’s the best piece of advice you’ve ever been given?
Author:
I think the best advice I was told was to write what you are passionate about. If you as the author can put your heart and soul into a piece of writing it will help the reader to experience that emotion more intensely and seal the reader to one’s work.
